Commenter   Comment   Posted On   Date  
 Prisoners Celebrating our wedding anniversary on the lawn! Billy Idol Jul 19, 2026
 SCMusicman Attended with: Lucy Olechnowski Stacey Blanton / Dallas Rodgers Jul 19, 2026
 Crayger244 Concert was moved to the Denver Auditorium Theatre The Beach Boys / Eddie Hodges / Jimmy Griffin / The Kingsmen Jul 19, 2026
 Crayger244 Concert was moved to the Denver Coliseum Al Hirt Jul 19, 2026
 Natalia Solano El mejor concierto de mi vida...una obra de arte Rosalía Jul 19, 2026
 KathyLovesMusic ticketmaster with protection etc. Rush Jul 19, 2026
 Kristina Ann Firehouse was also at this show Tesla / Firehouse Jul 19, 2026
 RedVelvetCate Inscryptions were supposed to play but pulled out due to a medical emergency Nembutolik / Skurge (AU) / Blight / Slowburn Jul 19, 2026
 aliewho Just a fantastic show!!!! Pixies Jul 19, 2026
 Fraser Allen It was a very hot afternoon when my friends and I arrived at the first-ever Electric Heart Festival, and I'm sure it won't be the last. My only grumble was the queue for the local brewery tent, which simply wasn't big enough for demand. I'm sure that will be rectified next year. One person I would definitely like to see return is Nick Coulson, whose DJ sets throughout the day provided brilliant indie singalongs and helped create a fantastic atmosphere. Before the main bands took to the stage, we were treated to performances from The Hormones, a band of women aged 50-plus, and Rizzy and the Gents, who describe themselves on their YouTube channel as a "glam punk artist challenging identities and ideologies". Both acts provided excellent warm-ups for what was to come. First up were Sleeper, fronted by the seemingly ageless Louise Wener, such an important figure of the Britpop era. They breezed through their hits and reminded everyone what a great cover version they made of Atomic. Next came The Coral, who took the risky decision to play songs from their new album. Fortunately, they went down very well with the crowd. Finishing with In the Morning and Dreaming of You was a perfect way to end their set. As for Happy Mondays, there is something enduring about them. Bez was as entertaining as ever with his maracas, while Shaun Ryder occasionally referred to written lyrics to help him remember the words. They worked their way through their hits, and the new female singer was excellent, as were the rest of the musicians. Headliners Supergrass then delivered a blistering set packed with classics as the daylight faded. The crowd favourites, including Alright and Time, were received enthusiastically. Gaz Coombes, like Louise Wener, appears ageless despite having recently turned 50. The only downside is that, since reforming, Supergrass have yet to release any new material, although I suspect that will change at some point. The festival ended at 10:30pm, with organisers announcing its return next year using the same successful formula of indie-focused bands. Early-bird tickets are already available for £32.50. It will be interesting to see who they manage to attract for next year's line-up. Rating: 8.5/10 – A very successful debut festival with a strong line-up, a relaxed atmosphere, and only a few minor teething problems. Roll on next year. Supergrass / Happy Mondays / The Coral / Sleeper Jul 18, 2026
 Fraser Allen It was a lovely hot afternoon of betting and, unfortunately, losing money at Newmarket Racecourse before Madness took to the stage. The evening was made even more special by the welcome return of Chris Foreman, who has recently taken time away from the band while undergoing cancer treatment. Once again, Madness did not disappoint, treating the crowd to a journey through their extensive back catalogue of hits. Having seen this tour several times now, it was fairly easy to predict the setlist – much to the amusement of those around me, who kept asking what the next song would be. Even so, the performance remained as entertaining and enjoyable as ever. One of the things I always appreciate at a Madness concert is the diversity of the audience. Fans of all ages were there, and I would say I sat somewhere in the middle of that spectrum. It is a testament to the band's enduring appeal that they continue to attract generations of listeners. With the exception of a six-year break, Madness have been together since 1979. Given their longevity and continued popularity, I would happily wager that, illness permitting, they will still be going strong in 2029 when they celebrate their 50th anniversary as a band. Madness Jul 18, 2026
 Blanca Ortiz de Pablo Desvarío Flamenco 2026 Nou Barris Concierto Cantes Malditos Antonio Fernández, cante con Guadalupe plata: Pedro de Dios, guitarra eléctrica José Sánchez, bajo Antonio García Cruz, Pelomono, batería Concierto Jesús Méndez, cante Antonio Higuero, guitarra Organizado por El Dorado Sociedad Flamenca Jesús Méndez Jul 18, 2026
 Blanca Ortiz de Pablo Desvarío Flamenco 2026 Nou Barris Concierto Cantes Malditos Antonio Fernández, cante con Guadalupe plata: Pedro de Dios, guitarra eléctrica José Sánchez, bajo Antonio García Cruz, Pelomono, batería Antonio Fernández / Guadalupe Plata Jul 18, 2026
 Simpsons_Head At this point the Orpheum theater had a stage that they brought into shows to raise the artists an extra 20 feet and Aimee commented that the weird stage is getting famous and someone could die if they fall off. Aimee Mann Jul 18, 2026
 SCMusicman Attended with: David Helms Shinedown / Sick Puppies / Adelitas Way / Cycle of Pain Jul 18, 2026
 Mattie Pahl Two sets on the same day. One in the morning, one in the afternoon. Armageddon Armistice Jul 18, 2026
 IanMcC613 As reflected in the setlist Bill’s band was Commander Cody and his Lost Planet Airmen. They are Spotify Bills Spotify recordings seem overlap a fair bit. Bill Kirchen Jul 18, 2026
 Christian Wieting An evening that I will never forget. Boz Scaggs is not “the famous blues guitarist from Texas”; he is a wonderful humble personality having an outrageous versatility on how he interprets his deep thoughts and emotions into music of any kind. This is my take, when I follow his legacy beginning in the early seventies. He could behave like a superstar, but he doesn’t. From my perspective this is the platform on which everything has been built upon. The fact of the matter that he had numerous disastrous events during his live and always worked somehow through it is a characteristic that is quite unique and makes him so special. 👆🏼👌🏼🎸🎤❤️ Boz Scaggs Jul 18, 2026
 Moment Bandit Garbage were great! But the support band… not my cup of ribena. Sound was badly mixed … too much midrange and made voices boomy and drums were dead. Garbage / Big Joanie Jul 18, 2026
 Simpsons_Head At 84 Paul’s voice isn’t the same as it was, but that didn’t matter at all, he was still Paul. He had amazing banter with the crowd. His stories were great. At one point someone yelled out “Kodachrome!” Paul said he’d have to be paid 20 bucks. Someone in the crowd ran up with 40 dollars, and we got Kodachrome. The crowd loved it. I loved thati finally got to see Paul with my wife. Ravinia is a weird venue. The only good view is in the Pavilion. Everything else is in a park atmosphere. People bring their chairs and setup picnics. The only view of the stage are on a few monitors that are hard to see. The speakers are small but fill the space under the trees. It’s kind of great as it’s a big community. We’d go again. But the show almost didn’t happen because of the Canadian wildfires. There were updates on the air quality, and at 2 PM they decided to go on as the air quality improved by the time of the show. There’s a cooling building if the heat gets bad, and it had the only clean toilets by the middle of the show. Paul Simon Jul 18, 2026